Κυριακή 21 Ιουνίου 2009

Pas de Deux

ballet film by animator Norman Mclaren, using an optical printer.



Τετάρτη 17 Ιουνίου 2009

The Return to Reason

Le Retour A La Raison (The Return to Reason) is a black and white film by Man Ray from 1923.

Παρασκευή 12 Ιουνίου 2009

The World First Time Machine



Mallett was born in Roaring Spring, Pennsylvania, on March 3rd, 1945. He lived in the Bronx, New York City. When he was 10 years old, his father died at age 33 of a heart attack. Inspired by a Classics Illustrated comic book version of H.G. Wells' The Time Machine, Mallett resolved to travel back in time to save his father. This idea became a lifelong obsession.

For quite some time, Ronald Mallett has been working on plans for a time machine. This technology would be based upon a ring laser's properties within the context of Einstein's Theory of Relativity. Mallett first argued that the ring laser would produce a limited amount of frame-dragging which might be measured experimentally, saying:

"In Einstein's General Theory of Relativity, both matter and energy can create a gravitational field. This means that the energy of a light beam can produce a gravitational field. My current research considers both the weak and strong gravitational fields produced by a single continuously circulating unidirectional beam of light. In the weak gravitational field of a unidirectional ring laser, it is predicted that a spinning neutral particle, when placed in the ring, is dragged around by the resulting gravitational field."

In a later paper, he argued that at sufficient energies, the circulating laser might produce not just frame-dragging but also closed timelike curves, allowing time travel into the past:

For the strong gravitational field of a circulating cylinder of light, I have found new exact solutions of the Einstein field equations for the exterior and interior gravitational fields of the light cylinder. The exterior gravitational field is shown to contain closed timelike lines.
The presence of closed timelike lines indicates the possibility of time travel into the past. This creates the foundation for a time machine based on a circulating cylinder of light.

Funding for his program, now known as The Space-time Twisting by Light (STL) project, is progressing. Full details on the project, Mallett's theories, a list of upcoming public lectures and links to popular articles on his work can be found at the Professor's UConn web page,and an illustration showing the concept on which Mallett has designed the time machine can be seen on a Geocities webpage.

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video:

A 2003 BBC Documentary chronicling the work of Dr Ronald Mallett, a physicist on the brink of making time travel a reality. This documentary covers: Traveling to the past, the future, alternative universe and paradoxes that come with time travel.










Dreams That Money Can Buy



Dreams That Money Can Buy is a 1947 American experimental feature color film written, produced, and directed by surrealist artist and dada film-theorist Hans Richter.

Collaborators included Max Ernst, Marcel Duchamp, Man Ray, Alexander Calder, Darius Milhaud and Fernand Léger. The film won the Award for the Best Original Contribution to the Progress of Cinematography at the 1947 Venice Film Festival.



Sesame Street President



TIME , Monday, Jun. 15, 2009
Tickle Me Obama: Lessons from Sesame Street
By NANCY GIBBS

Most presidents are easy to pin down on our cultural maps. Ronald Reagan was raised in Dixon, Ill., but we placed him in Hollywood, telling America's story on the big screen. Bill Clinton may have been the Man from Hope, Ark., but the mischief of nearby Hot Springs was in his blood. George W. Bush was practically born on the Yale campus, yet Texas was his true terroir.
Which brings us to Barack Obama, who belongs ... where exactly? Kansas? Kenya? Hawaii? Harvard? None of these quite fit our blender in chief, but it struck me recently that Obama does have a cultural home: he's the first President from Sesame Street.

When Sesame Street founder Joan Ganz Cooney met Obama at a fundraiser last year, she was prepared to hear what she always does. "I'd have bet you a million dollars," she says, "that [Obama] would tell me how his kids watched Sesame Street." But instead the President-to-be told her that he and his little sister watched the show. "I realized that this is the first President young enough to say that."

The Obamas clearly have a deeper personal connection to the show than their White House predecessors did; it was aimed, after all, at kids like them. (Full disclosure: I have a personal connection too; some of my friends work on Sesame Street, and they aren't furry.) When Michelle Obama visited the set in Queens, N.Y., to talk about "healthy habits" a few weeks ago, she was practically fizzing. "I'm on a high," she said. "I never thought I'd be on Sesame Street with Elmo and Big Bird." Let it be noted that this visit came after she'd met the Queen of England at Buckingham Palace and welcomed Stevie Wonder to the White House and enjoyed all kinds of other not-too-bad perks of being First Lady. "I think it's probably the best thing I've done so far in the White House."

The President is every bit as much a product of the show, but it's not just his age and mastery of the alphabet that make Obama the first Sesame Street President. The Obama presidency is a wholly American fusion of optimism, enterprise and earnestness — rather like the far-fetched proposal of 40 years ago to create a TV show that would prove that educational television need not be an oxymoron. Unlike Captain Kangaroo and Mr. Green Jeans in their idyllic Treasure House, or the leafy land of the suburban sitcom, Sesame's characters were colorful, their milieu was urban; there was noise and grime and grouches, and they hung out on the stoop, not the porch. Parents who were not white, not rich, not able to afford a fancy preschool knew this show was designed for them. Maybe it would level the playing field a little.

It wound up doing much more. Sesame Street is now the longest street on the planet. It runs from Harlem to Honolulu; on to Obama's childhood home in Indonesia, where Jalan Sesama celebrates unity through diversity; through South Africa, where one Muppet is HIV positive; through Israel and Palestine and Egypt, where girls are told how important it is that they keep reading and learning. It creates citizens of a highly globalized, post-racial world. "The only kids who can identify along racial lines with the Muppets," genius puppeteer Jim Henson observed, "have to be either green or orange."

And yet for all its empathy, Sesame Street has been highly cerebral as well, the perfect hatchery for the Empirical Presidency. It is the most heavily researched children's show ever, conceived by an experimental psychologist, incubated in a Harvard seminar room, vetted by linguists and nutritionists and child-development experts (who once vetoed a segment in which Elmo crawled inside the letter O because they feared that a toddler might see it as permission to climb into a toilet). Obama famously prizes intellect over instinct; he says he wants to see the data and for the data to drive the decision. Sesame writers test-drive their skits on focus groups of young children to see how long they can hold the kids' attention and how well the writers deliver their desired message; if the kids drift, the segment dies. The same can be said of any number of Obama's dreamier campaign promises.

Sesame Street's genius lies in finding gentle ways to talk about hard things — death, divorce, danger — in terms that children understand and accept. The polls can tell a President what the American people want to hear, but after so many years of sandbox politics and childish games, there comes a time to grow up. Given the hard choices, does the President think we're ready to handle complexity and delay gratification? If not now, when? Professor Obama has at least talked to us like we're adults. The question remains whether President Obama will govern as though he believes it.

Πέμπτη 4 Ιουνίου 2009

M



M is a 1931 German drama-thriller directed by Fritz Lang and written by Lang and his wife Thea von Harbou. It was Lang's first sound film.

A group of children are playing a game involving a song about a child murderer...






Day The Earth Stood Still



The Day the Earth Stood Still is a 1951 black-and-white science fiction film that tells the story of a humanoid alien visitor who comes to Earth with a warning.





Time and Again

TIme and again, however well we know the landscape of love,
and the little church-yard with lamenting names,
and the frightfully silent ravine wherein all the others
end: time and again we go out two together,
under the old trees, lie down again and again
between the flowers, face to face with the sky.


Rainer Maria Rilke

1875-1926

Τετάρτη 3 Ιουνίου 2009

No.2



Prokofiev Concerto No. 2
Sergei Prokofiev set to work on his Piano Concerto No. 2 in G minor, Op 16 in 1912 and completed it in 1913. Performing as solo pianist, he premiered the work on August 23 the same year at Pavlovsk.

The work is dedicated to the memory of Maximilian Schmidthof, a friend of Prokofiev's at the St. Petersburg Conservatory, who had committed suicide in April, after having written a farewell letter to Prokofiev.







Rachmaninoff Concerto No. 2
At its 1897 premiere, Rachmaninoff's first symphony, though now considered a significant achievement, was derided by critics. Compounded by problems in his personal life, Rachmaninoff fell into a depression that lasted for several years. His second piano concerto confirmed his recovery from clinical depression and writer's block. The concerto was dedicated to Nikolai Dahl, a physician who had done much to restore Rachmaninoff's self-confidence.





Shostakovich Concerto No. 2
Piano Concerto No. 2 in F major, Op. 102, by Dmitri Shostakovich was composed in 1957 for his son Maxim's 19th birthday. Maxim premiered the piece during his graduation at the Moscow Conservatory. It is an uncharacteristically cheerful piece, much more so than most of Shostakovich's works.





Brahms's Concerto no.2
The Piano Concerto No. 2 in B-flat major, Op. 83 by Johannes Brahms is a composition for solo piano with orchestral accompaniment. It is separated by a gap of 22 years from the composer's first piano concerto. Brahms began work on the piece in 1878 and completed it in 1881 while in Pressbaum near Vienna. It is dedicated to his teacher, Eduard Marxsen.






Liszt Concerto No. 2
Franz Liszt wrote drafts for his Concerto for Piano and Orchestra No. 2 in A Major, S.125, during his virtuoso period, in 1839 to 1840. He then put away the manuscript for a decade. When he returned to the concerto, he revised and scrutinized it repeatedly. The fourth and final period of revision ended in 1861. Liszt dedicated the work to his student Hans von Bronsart, who gave the first performance, with Liszt conducting, in Weimar on January 7, 1857.





Saint-Saëns Concerto no.2
The Piano Concerto No. 2 in G minor, Op. 22 by Camille Saint-Saëns, was composed in 1868 and is probably Saint-Saëns' most popular piano concerto. It was dedicated to Madame A. de Villers née de Haber.




Chopin concerto No.2
Frédéric Chopin's Piano Concerto No. 2 in F minor, Op. 21, was composed in 1830, before he had finished his formal education — he was around 20 years old. It was first performed on March 17, 1830, in Warsaw, Poland, with the composer as soloist. It was the second of his piano concertos to be published and so was designated as "No. 2," although it was written first.

sleeping silver saxophones

Δευτέρα 1 Ιουνίου 2009

Bringing Star Power to Earth


THE NEW YORK TIMES, May 26, 2009

In Hot Pursuit of Fusion (or Folly)

By WILLIAM J. BROAD


LIVERMORE, Calif. — Here in a dry California valley, outside a small town, a cathedral of light is to be dedicated on Friday. Like the cathedrals of antiquity, it is built on an unrivaled scale with unmatched technology, and it embodies a scientific doctrine that, if confirmed, might lift civilization to new heights.

“Bringing Star Power to Earth” reads a giant banner that was recently unfurled across a building the size of a football stadium.

The $3.5 billion site is known as the National Ignition Facility, or NIF. For more than half a century, physicists have dreamed of creating tiny stars that would inaugurate an era of bold science and cheap energy, and NIF is meant to kindle that blaze.

In theory, the facility’s 192 lasers — made of nearly 60 miles of mirrors and fiber optics, crystals and light amplifiers — will fire as one to pulverize a fleck of hydrogen fuel smaller than a match head. Compressed and heated to temperatures hotter than those of the core of a star, the hydrogen atoms will fuse into helium, releasing bursts of thermonuclear energy.

The project’s director, Ed Moses, said that getting to the cusp of ignition (defined as the successful achievement of fusion) had taken some 7,000 workers and 3,000 contractors a dozen years, their labors creating a precision colossus of millions of parts and 60,000 points of control, 30 times as many as on the space shuttle.

“It’s the cathedral story,” Dr. Moses said during a tour. “We put together the best physicists, the best engineers, the best of industry and academia. It’s not often you get that opportunity and pull it off.”

In February, NIF fired its 192 beams into its target chamber for the first time, and it now has the world’s most powerful laser, as well as the largest optical instrument ever built. But raising its energies still further to the point of ignition could take a year or more of experimentation and might, officials concede, prove daunting and perhaps impossible.

For that reason, skeptics dismiss NIF as a colossal delusion that is squandering precious resources at a time of economic hardship. Just operating it, officials grant, will cost $140 million a year. Some doubters ridicule it as the National Almost Ignition Facility, or NAIF.

Even friends of the effort are cautious. “They’ve made progress,” said Roy Schwitters, a University of Texas physicist who leads a federal panel that recently assessed NIF’s prospects. “Ignition may eventually be possible. But there’s still much to learn.”

Dr. Moses, while offering no guarantees, argued that any great endeavor involved risks and that the gamble was worth it because of the potential rewards.

He said that NIF, if successful, would help keep the nation’s nuclear arms reliable without underground testing, would reveal the hidden life of stars and would prepare the way for radically new kinds of power plants.

“If fusion energy works,” he said, “you’ll have, for all intents and purposes, a limitless supply of carbon-free energy that’s not geopolitically sensitive. What more would you want? It’s a game changer.”

NIF is to fire its lasers for 30 years.

Like the dedication of a cathedral, the event here on Friday at the Lawrence Livermore National Laboratory is to be a celebration of hope. Officials say some 3,500 people will attend. The big names include Gov. Arnold Schwarzenegger, Energy Secretary Steven Chu (whose agency finances NIF) and Charles Townes, a Nobel Laureate and laser pioneer.

In preparation, workmen here last Thursday washed windows and planted flowers on the lush campus, the day auspiciously sunny.

Dr. Moses, who runs science programs for high school students in his spare time, broke from his own preparations to show a visitor the NIF complex.

In its lobby, he held up a device smaller than a postage stamp. This is where it all starts, he said. From this kind of tiny laser, beams emerge that grow large and bright during their long journey through NIF’s maze of mirrors, lenses and amplifiers.

The word laser is an acronym for light amplification by stimulated emission of radiation. And each particle of light, or photon, is amplified, Dr. Moses said, to “around 10 to the 25th” photons. Or, “10 million, million, million, million.”

A nearby stand held a thick slab of pink glass about the size of a traffic sign — an example of an amplifier. NIF has 3,200 in all. Dr. Moses said the big step occurred when giant flash tubes — like ones in cameras but six feet long and 7,680 in number — flashed in unison to excite the pink glass. Laser photons then zip through, stimulating cascades of offspring, making the beam much stronger, such amplification happening over and over.

Photons moving in step with one another is what makes laser light so bright and concentrated and, in some instances, so potent.

Dr. Moses picked up a mock capsule of hydrogen fuel. It was all of two millimeters wide, or less than a tenth of an inch.

“It heats up,” he said. “It blows in at a million miles an hour, moving that way for about five-billionths of a second. It gets to about the diameter of your hair. When it gets that small, that fast, you hit temperatures where it can start fusing — around 100 million degrees centigrade, or 180 million degrees Fahrenheit.”

Hair nets, hard hats and safety goggles were donned before entering NIF proper. Repeated steps on sticky pads pulled dirt from shoes. Dust is NIF’s bane, Dr. Moses said. It can ruin optics and experiments. He said the 33-foot-wide target chamber was evacuated to a near-vacuum, much the same as outer space — a void where light can zip along with almost no impediments.

Dr. Moses said the team fired the laser only at night and did maintenance and equipment upgrades during the day. “This is a 24/7 facility,” he said.

The previous night, he said, the laser had been fired in an effort to improve coordination and timing. The 192 rays have to strike the target as close to simultaneously as possible.

The individual beams, he said, have to hit “within a few trillionths of a second” of one another if the fuel is to burn, and be pointed at the target with a precision “within half the diameter of your hair.”

The control room, modeled on NASA’s mission control in Houston, was buzzing with activity, even though some consoles sat empty. Phones rang. Walkie-talkies crackled. The countdown to firing the lasers, Dr. Moses said, took three and half hours, with the process “pretty much in the hands of computers.”

The operations plan for NIF, he added, is to conduct 700 to 1,000 laser firings per year, with about 200 of the experiments focused on ignition. There is no danger of a runaway blast, he said. Fusion works by heat and pressure, not chain reactions. Moreover, the fuel is minuscule and the laser flash extraordinarily short. During a year of operations, Dr. Moses said, “the facility is on for only three-thousandths of a second,” yet will generate a growing cascade of data and insights.

Next on the tour, after more sticky pads, was the holy of holies, the room surrounding the target chamber. It looked like an engine room out of a science-fiction starship. The beam lines — now welters of silvery metal filled with giant crystals that shifted the concentrated light to higher frequencies — converged on the chamber’s blue wall. Its surface was dotted with silvery portholes where complex sensors could be placed to evaluate the tiny blasts.

“When it’s running,” Dr. Moses said, “there’s a lot of stuff at the chamber’s center.”

Despite the giant banner outside and its confident prediction, it is an open question whether NIF’s sensors will ever detect the rays of a tiny star, independent scientists say.

“I personally think it’s going to be a close call,” said William Happer, a physicist at Princeton University who directed federal energy research for the first President George Bush. “It’s a very complicated system, and you’re dependent on many things working right.”

Dr. Happer said a big issue for NIF was achieving needed symmetries at minute scales. “There’s plenty of room,” he added, “for nasty surprises.”

Doubters say past troubles may be a prologue. When proposed in 1994, the giant machine was to cost $1.2 billion and be finished by 2002. But costs rose and the completion date kept getting pushed back, so much so that Congress threatened to pull the plug. Today, critics see the delays and the $3.5 billion price tag as signs of overreaching.

Dr. Moses, who was put in charge of NIF a decade ago in an effort to right the struggling project, said that a decade from now, as NIF opened new frontiers, no one would remember the missteps. He compared the project to feats like going to the Moon, building the atom bomb and inventing the airplane.

“Stumbles are not unusual when you take on big-risk projects,” he said.

Dr. Moses added that the stumble rule applied to cathedrals as well.

Having grown up in Eastchester, close to New York City, he noted that the Cathedral Church of Saint John the Divine, on the Upper West Side of Manhattan, was still under construction after more than a century. Is it worthwhile, despite the delays?

“Of course it is,” he said. Taking on big projects that challenge the imagination “is who we are as a species.”