Pas de Deux

ballet film by animator Norman Mclaren, using an optical printer.

The Return to Reason

Le Retour A La Raison (The Return to Reason) is a black and white film by Man Ray from 1923.

The World First Time Machine

Mallett was born in Roaring Spring, Pennsylvania, on March 3rd, 1945. He lived in the Bronx, New York City. When he was 10 years old, his father died at age 33 of a heart attack. Inspired by a Classics Illustrated comic book version of H.G. Wells' The Time Machine, Mallett resolved to travel back in time to save his father. This idea became a lifelong obsession.

For quite some time, Ronald Mallett has been working on plans for a time machine. This technology would be based upon a ring laser's properties within the context of Einstein's Theory of Relativity. Mallett first argued that the ring laser would produce a limited amount of frame-dragging which might be measured experimentally, saying:

"In Einstein's General Theory of Relativity, both matter and energy can create a gravitational field. This means that the energy of a light beam can produce a gravitational field. My current research considers both the weak and strong gravitational fields produced by a single continuously circulating unidirectional beam of light. In the weak gravitational field of a unidirectional ring laser, it is predicted that a spinning neutral particle, when placed in the ring, is dragged around by the resulting gravitational field."

In a later paper, he argued that at sufficient energies, the circulating laser might produce not just frame-dragging but also closed timelike curves, allowing time travel into the past:

For the strong gravitational field of a circulating cylinder of light, I have found new exact solutions of the Einstein field equations for the exterior and interior gravitational fields of the light cylinder. The exterior gravitational field is shown to contain closed timelike lines.
The presence of closed timelike lines indicates the possibility of time travel into the past. This creates the foundation for a time machine based on a circulating cylinder of light.

Funding for his program, now known as The Space-time Twisting by Light (STL) project, is progressing. Full details on the project, Mallett's theories, a list of upcoming public lectures and links to popular articles on his work can be found at the Professor's UConn web page,and an illustration showing the concept on which Mallett has designed the time machine can be seen on a Geocities webpage.

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A 2003 BBC Documentary chronicling the work of Dr Ronald Mallett, a physicist on the brink of making time travel a reality. This documentary covers: Traveling to the past, the future, alternative universe and paradoxes that come with time travel.

Dreams That Money Can Buy

Dreams That Money Can Buy is a 1947 American experimental feature color film written, produced, and directed by surrealist artist and dada film-theorist Hans Richter.

Collaborators included Max Ernst, Marcel Duchamp, Man Ray, Alexander Calder, Darius Milhaud and Fernand Léger. The film won the Award for the Best Original Contribution to the Progress of Cinematography at the 1947 Venice Film Festival.

Sesame Street President

TIME , Monday, Jun. 15, 2009
Tickle Me Obama: Lessons from Sesame Street
By NANCY GIBBS

Most presidents are easy to pin down on our cultural maps. Ronald Reagan was raised in Dixon, Ill., but we placed him in Hollywood, telling America's story on the big screen. Bill Clinton may have been the Man from Hope, Ark., but the mischief of nearby Hot Springs was in his blood. George W. Bush was practically born on the Yale campus, yet Texas was his true terroir.
Which brings us to Barack Obama, who belongs ... where exactly? Kansas? Kenya? Hawaii? Harvard? None of these quite fit our blender in chief, but it struck me recently that Obama does have a cultural home: he's the first President from Sesame Street.

When Sesame Street founder Joan Ganz Cooney met Obama at a fundraiser last year, she was prepared to hear what she always does. "I'd have bet you a million dollars," she says, "that [Obama] would tell me how his kids watched Sesame Street." But instead the President-to-be told her that he and his little sister watched the show. "I realized that this is the first President young enough to say that."

The Obamas clearly have a deeper personal connection to the show than their White House predecessors did; it was aimed, after all, at kids like them. (Full disclosure: I have a personal connection too; some of my friends work on Sesame Street, and they aren't furry.) When Michelle Obama visited the set in Queens, N.Y., to talk about "healthy habits" a few weeks ago, she was practically fizzing. "I'm on a high," she said. "I never thought I'd be on Sesame Street with Elmo and Big Bird." Let it be noted that this visit came after she'd met the Queen of England at Buckingham Palace and welcomed Stevie Wonder to the White House and enjoyed all kinds of other not-too-bad perks of being First Lady. "I think it's probably the best thing I've done so far in the White House."

The President is every bit as much a product of the show, but it's not just his age and mastery of the alphabet that make Obama the first Sesame Street President. The Obama presidency is a wholly American fusion of optimism, enterprise and earnestness — rather like the far-fetched proposal of 40 years ago to create a TV show that would prove that educational television need not be an oxymoron. Unlike Captain Kangaroo and Mr. Green Jeans in their idyllic Treasure House, or the leafy land of the suburban sitcom, Sesame's characters were colorful, their milieu was urban; there was noise and grime and grouches, and they hung out on the stoop, not the porch. Parents who were not white, not rich, not able to afford a fancy preschool knew this show was designed for them. Maybe it would level the playing field a little.

It wound up doing much more. Sesame Street is now the longest street on the planet. It runs from Harlem to Honolulu; on to Obama's childhood home in Indonesia, where Jalan Sesama celebrates unity through diversity; through South Africa, where one Muppet is HIV positive; through Israel and Palestine and Egypt, where girls are told how important it is that they keep reading and learning. It creates citizens of a highly globalized, post-racial world. "The only kids who can identify along racial lines with the Muppets," genius puppeteer Jim Henson observed, "have to be either green or orange."

And yet for all its empathy, Sesame Street has been highly cerebral as well, the perfect hatchery for the Empirical Presidency. It is the most heavily researched children's show ever, conceived by an experimental psychologist, incubated in a Harvard seminar room, vetted by linguists and nutritionists and child-development experts (who once vetoed a segment in which Elmo crawled inside the letter O because they feared that a toddler might see it as permission to climb into a toilet). Obama famously prizes intellect over instinct; he says he wants to see the data and for the data to drive the decision. Sesame writers test-drive their skits on focus groups of young children to see how long they can hold the kids' attention and how well the writers deliver their desired message; if the kids drift, the segment dies. The same can be said of any number of Obama's dreamier campaign promises.

Sesame Street's genius lies in finding gentle ways to talk about hard things — death, divorce, danger — in terms that children understand and accept. The polls can tell a President what the American people want to hear, but after so many years of sandbox politics and childish games, there comes a time to grow up. Given the hard choices, does the President think we're ready to handle complexity and delay gratification? If not now, when? Professor Obama has at least talked to us like we're adults. The question remains whether President Obama will govern as though he believes it.

M

M is a 1931 German drama-thriller directed by Fritz Lang and written by Lang and his wife Thea von Harbou. It was Lang's first sound film.

A group of children are playing a game involving a song about a child murderer...

Day The Earth Stood Still

The Day the Earth Stood Still is a 1951 black-and-white science fiction film that tells the story of a humanoid alien visitor who comes to Earth with a warning.